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FIXED FRIDAY: Back to Basics

May 24, 2013 By Ed Haponik

Fixed Friday Ed Haponik Back To Basics

Hi kids. I’m Ed Haponik and this is Fixed Friday.

(apologies for the lack of caps below – it’s verbatim from the vid below and i speak in lowercase.)


a few people have asked lately about a ‘back to basics’ vid, so here you go. if you want to build a renaissance you better make sure all your friends can hold a brush… or build a movable type printing press. i hope this q&a is helpful.

WHAT’S YOUR SETUP?
i use the EH by spyy x tmbr. it’s made of wood which is way more fickle than plastic. i find that a 2-cent gap gives me a kind of response i like. sometimes i need to sand the axle down. with other yo-yo’s you may need to shim the axle to get a good gap. if i can do spirit bomb and shoot the moon on consecutive throws, then i know it’s right where i like it. i tend to go for thick type-10 cotton string, and generally a little vibe doesn’t bother me at all.

HOW DO YOU DEAL WITH STRING TENSION?
this is an aspect of your setup that changes while you play. it makes a difference with a bearing, but it makes all the difference without one. ufo’s and sidewinders are your go-to tension tools. i probably do 20-30 sidewinders on an average day. righty tighty, lefty loosey. you might think that they affect the whole string, but they really impact certain regions much more than others. sometimes i’ll do a sidewinder right for positive tension all-over, and then a little adjustment right (meaning LEFT) near the gap to get less aggressive response.

HOW HARD DO YOU THROW?
i throw to fit the trick. if i’m doing kamikaze or white buddha, it’s going to be balls to the wall-out hard, whereas there’s rarely a reason to throw hard into a stall. a hard throw relies on arms, but it’s like throwing a punch. if you don’t connect your hip/core, you’ll have less behind it. bear in mind you will scorch axles throwing hard which will change their characteristics. stop n go usually needs a bit more juice because your ‘go’ depends on a tight wind, especially if you’re hopping out. you just have to recognize that there’s more than one way to throw, and that if a trick isn’t working for you, it’s another variable you can adjust.

HOW DO YOU DO ‘UNRESPONSIVE TRICKS ON A FIXED AXLE?
same way you get to carnegie hall. there’s no substitute for trying these tricks 10,000 times. with something like spirit bomb, for example, be quick and direct and keep your hands apart so the formation can’t collapse. the key  with sketchy tricks is to keep the slack string from collecting anywhere near the gap. a fixed axle suicide needs to cover more ground (right to left) than it does with a bearing. as was noted earlier, you’re sabotaging yourself if you don’t have appropriate string tension (usually nice and neutral). a yo-yo returns because of friction, period. there will always be increased friction in a fixed axle gap, but it can be mitigated by technique. when pulling up into a hook, plastic whip, or gt whip, lift the yo-yo up without letting the string go slack at the bottom. don’t yank it.  3/4 of hitting any trick is believing that it can be done. if you take the attitude that something is to hard for you or impossible, then it will be.

HOW DO YOU SNAPSTART?
you’re not going to try any tricks 10,000 times if you can’t wind a yo-yo efficiently. i feel like of any yo-yo trick out there (besides maybe shoot the moon), snap start is the best “barometer of awesome”. i would not be as good a yo-yoed as i am by half if steve brown hadn’t taught me to snap start. it makes the spaces in between mess ups feel like a successful trick (or it can be a trick itself). to do it, place your middle finger and thumb on opposite sides of the yo-yo (kind of like at 10 and 4) and twist (with your thumb popping up). it will suck at first, probably for a week. but you can’t put a price on an efficient wind.

HOW DO YOU STALL?
i did a video on this a few years back. the idea behind any stall is that the yo-yo is mostly wound up and sitting in a static position on the string, which you regenerate out of. pretty much any string hold has a stall application. the only trick is recognizing the importance of spin direction. just like you can really only catch a trapeze stall one way, you can only really catch a brother stall with the opposite spin. you need pretty aggressive response, both for the catch and for the regen. you don’t need to throw hard. it’s easiest to think of breakaway or forward pass and just be in the right place. what you do once you’re IN a stall has been the subject of a lot of recent innovation.

WHAT TRICKS SHOULD I PRACTICE?
practice what appeals to you, for sure. but also spend time solidifying things ‘beneath your level’. work on repeated regens from trapeze stall. work on shoot the moon and flyaway dismounts out of everything. work on tricks you know you have down with a bearing like pop n fresh or cold fusion. don’t be afraid to try stuff that seems out of your range either. don’t have a preconceived idea of what kind of fixed axle yo-yoer you need to be. there’s no road map for a lot of this. practice doesn’t make perfect. practice IS perfect.

WHAT YO-YO SHOULD I USE?
besides my EH, i love tmbrs in general. you can also opt for a butterfly to get your drew on. i find them a little light, personally. proflys might be my favorite raw stallers, but good luck rocking a long sleeper with one. no jives are an all time favorite of mine and helped set the standard for progressive fixed axle play.

whatever you throw, it’s going to be you hitting the trick. there’s so much open territory in the fixed axle realm now . i hope some part of this vid helps you get out there and stake a claim… or y’know just have fun.

Filed Under: Fixed Friday, Trick Theory, Video Tagged With: ed haponik, eh, exclusive, featured, fixed axle, fixed friday, no jive, spyy, tmbr, trick theory, video, wood

Fixed Friday: Play Like A Wild Man with Spencer Berry

April 5, 2013 By Drew Tetz

This Friday we’ll take a step away from purely instructional videos and instead focus on something that can’t be taught: style. To help illustrate this, I’ve rounded up some footage from one of the most unique and original yo-yo players in the world, Spencer Berry. New players may recognize Spencer from his contributions to the current season of 365yoyotricks (he’s the one with the mustache that isn’t Steve), while older heads will instantly know him as the father of the Laceration. Spencer, along with the Spindox, provided a staggering amount of the trick vocabulary we associate with modern 1A, and tricks such as Ragnarok and Rancid Milk are still regarded as masterpieces a decade later.

Watching Spencer yo-yo for the first time, though, you’re less likely to notice the timelessness of his transitions or his deep back catalogue of tricks and more likely to duck out of the way to avoid his rowdy regens. This is not to say that he can’t be smooth! Breath is still regarded as one of the gold standard 1A tricks, and he plays with the classic ease of the generation brought up on Renegades and Freehand1s. Many of the Spindox actually attribute the smoothness of their styles to learning to play on crazy responsive yo-yos, which is where the application to modern fixed play comes in (see how neatly I tied that up?).

As I said earlier, style is something that can’t be taught, and copying somebody’s style to a tee is somewhat self-defeating, but let’s at least analyze Mr. Berry’s style for a little bit. He once told me that he’d like to write a piece for Fixed Friday, titled “Embracing Chaos, and Why Messing Up on a Fixed Axle is More Fun (AKA How Much Fun it is to Flail Around with Insane Regens Instead of Doing Tricks)”. I may be stealing his thunder somewhat by featuring him this week, but that title is fairly telling to his approach to fixed axle. The short spin times, unpredictable hardware, and heightened response of fixie play can be frustrating when trying to hit big complicated modern 1A tricks, so the lens focuses in a little bit and there’s a heightened emphasis on throws, catches, and regens: things that would be considered minutiae or “filler” in a contest freestyle suddenly become the whole show. Spencer’s style really comes to the foreground here, as practiced combos come apart at the seams and shift into wild improvised swinging loops. He proves that you don’t necessarily have to hit your tricks to have fun and look good doing it.

Part of this, though, undoubtedly comes from having enough variations and material to keep things interesting while your yo-yo runs off the rails. It helps to have a firm grip on the foundations: basic inside/outside loops, planet hops, hop the fence, shoot the moon, regenerations into and out of trapeze. It’s good to develop the habit of just looping out of everything to make yourself more comfortable with regens. Another thing that Spencer does is regens within a mount, or “assisted loops” where he controls the regeneration with his free hand. These can help you build up spin or change spin directions for a stall without sacrificing the setup of a mount.

Also, he does “Pop the Clutch Hands Must Touch (your head)”. This trick frightens me, but it is worth noting.

I wanted to call particular interest to one regen, the frontstyle throw > behind the head planet hop > trapeze sequence. This move, most likely invented by Steve in 1997, is super fun and I recommend it to everybody! I put Spencer’s in slomo and added one of my variations of it in hopes that it would help with learning, because honestly there’s not too much to teach. I will say that you should definitely practice it in front of your body first until you’re comfortable, ’cause this one can definitely sneak up on you, and nobody likes taking a yo-yo to the face… but once you get it, it’s one of the most fun & flashy simple regens out there.

Also, as a bonus trick, I threw on a chopsticks stall repeater inspired by Spencer & Jason Lee’s classic clip The Fidget. That should keep your fingers busy for a bit.

Thanks to Spencer for letting me film him in Kansas this fall. If you want more Spence (and don’t we all?), check out his demo at Finnish Nationals and his weekly contributions to 365yoyotricks. Keep an eye out for his upcoming yo-yo, Walter, which I can honestly say is one of the best slimline metals I’ve ever played.

Filed Under: Fixed Friday, Trick Theory, Video Tagged With: butterfly, chopsticks, drew tetz, featured, fixed axle, fixed friday, no jive, regens, spencer berry, super kung fu jammin', tricks, walter

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