CLYW brings you the new video series, Cabin Tutorials! An ongoing series of video tutorials of favorite moves and concepts from the CLYW team, the first installment features Charles Haycock teaching you some classic Yuuki Spencer moves that have heavily inspired Charles’ own trick development.
Innovation Movement once again brings us some amazing work from fresh new talent. Great shots, great tricks!
C3YoYoDesign has expanded their team again with the addition of Ethan “MoMo” Wong Wing Hang from Hong Kong. Ethan’s addition to team comes with the simultaneous announcement of his signature model, the MO-vitation, featuring a special hub area for his trademark finger spin moves. Check out the tutorial below, and congrats to Ethan and C3YoYoDesign!
Hungarian superhero Dávid Molnár fully earns his spot on the C3YoYoDesign team in this fantastic video, shot on a trip to Moscow. Dávid’s style is daring, with lots of small but high-risk moves thrown almost recklessly into combos. His trick density is pretty impressive, but not as much as the fluidity of his style.
It is without question that Bryan Figeuroa is one of the greatest 4A players to ever grace the stage. He has won the US National Yo-Yo Contest six times, the California State Championships three times, and has placed second at the World Yo-Yo Contest in 2012. With such an illustrious 4A career, it’s no surprise that Bryan’s 1A has gotten lost in the shuffle.
Bryan has crafted a truly unique 1A style, and he spent a few minutes with Sector Y at a recent Spindox meet so he could show off some of his 1A moves. Most of these are little moves, and not necessarily full length tricks or long combos. They’re simply cool moves that he wanted to commit to video before he forgot them.
This is the first entry in the Memory Dump series. The series aims to film little moves that would otherwise get swept away in the fast moving world of yoyoing.
The early days of head-cam videos were vomit-inducing….they were so jittery and low-frame rate that it looked like someone yoyoing through strobe lights on a rollercoaster. But with the new generation of GoPro cameras and players learning to isolate head movements while throwing means that now we can get the absolute best possible views of yoyo tricks. We’ve said it before and we’ll say it again…it’s a GREAT time to be a yoyo player. 🙂
Innovation Movement brings us another gem from the front lines of yoyoing. Great tricks and really smooth delivery from Kevin Zou…and a NSFW ending. No idea who Kevin Zou is, but we like his style and sense of humor.
C3YoYoDesign just dropped another product video, bringing their total up to 8 videos released in 2013. Being amazed by this is starting to feel redundant, so I’m just going to mentally high-five them and advise you to subscribe to their YouTube channel if you’re tired of hearing me flip out over how awesome they are.
I’ve been slacking on giving you folks the weekly roundup from 365yoyotricks.com. And by “slacking” I mean I did one, and then totally forgot about it when I got busy with other projects. Ha ha whoops!
Jake Bullock reminds us that he’s been doing 3D tricks for a ridiculously long time with FLOUNDER3D.
Spencer Berry gives us the gift that keeps on giving…by jamming a repeater in the middle of White Buddha.
You know how sometimes you just want a trick to move really, really fast and have a very low success rate? Yep, I made another one of those.
Darnell Hairston wants to make sure that everyone remembers how awesome frontstyle tricks can be.
Play responsive. There are still more tricks hiding in there.
Pekka pekka pekka pekka, pekka pekka pekka. Pekka, pekka pekka pekka pekka pekka!
…and henceforth, 2013 shall be known as “The Glorious Year of So Many Friggin’ YoYo Videos” and all shall rejoice.
Chuck and Jensen are quickly pushing product promo clip videos into high art. Between this promo for the release of the Fools’ Gold Avalanches, their accidental tribute to Mummenschanz, and the CLYW x Raised By Wolves video, CLYW has set the bar impossibly high and truly cemented the look and feel of their brand. All you small manufacturers take note: if your company doesn’t have a personality, you’re doing it wrong.
All the high fives for Chris, Chuck, and Jensen. ALL OF THEM, do you hear me?!?! ALL OF THEM!!!
First things first: CONTEST WINNER!
The Fixed Friday group on Facebook saw a number of quality entries over the last few weeks for the chance to win a one-of-a-kind maple leaf-branded SPYYxTMBR “Eh”. The Light Sleeper Society (which DOES exist, though they would have you believe otherwise) convened to pick a winner. On the combined basis of pushing boundaries and adherence to the contest’s theme, the winner is…
Congrats, Kyle. Your super-special “Eh” is on its way, and it’ll be lucky to get thrown by someone who legitimately rips fixed axle.
Alright, on to the trick premise for this week: Question everything.
If you want to do anything meaningfully, you kind of have to have that approach (or at least willfully ignore it).
In my last column, I suggested that yo-yo tricks don’t need to start with the yo-yo wound up. This time, I’m going to operate from the premise that you don’t need to throw them “right”.
Reverse spin tricks have a unique appeal with regard to fixed axle. For much of an unresponsive-bearing yo-yo trick, the direction of spin is something you are welcome to ignore. The yo-yo is spinning, which gives it the angular momentum to resist turning against its primary axis, which keeps you in your intended trick, and that’s good enough. When it’s time to bind back up, spin direction matters again, but only kind of, for most people. When you’re rocking wood though, it matters big time.
For one, nearly all of the progressive fixed axle play going on now involves some version of staccato, stall-based or stop-n-go-based play. I used to feel like a trick had some old skool flavor if I ended with a phat flyaway dismount, but now I feel like regenerating from some kind of stall has taken over as the fixed axle modus operandi. As I’ve said every week, when stalling out a yo-yo, spin direction is your first concern. If you throw a standard breakaway, you can go right to a trapeze stall, but not to a man-bro stall. But what kind of bull-jive is that? And who says you have to START from a standard breakaway?
In these tricks, the yo-yo is thrown or regenerated “backwards” at some point. There are two main ways to do this. You can either throw down with the yo-yo wound in reverse (the way you teach kids NOT to throw down), or you can regenerate in such a way that the yo-yo DOES NOT flip over, resulting in a backward spin. Either way, if you can keep it straight, you’ve entered a cool, “Bizarro World” of mirror-image stall possibilities. Check out these examples, and then find your own methods of getting that sweet negative spin.
In the first one, I demonstrate a nice, clean way to go right into a reverse-wind without an audience really noticing (not that most would care). Bob Rule taught me this one on stage at Worlds. The subtle nuances and tricks that guy has locked away in his noggin would stun almost any modern performer in his tracks. Just throw forward pass, and catch it with your fingers pointing up. We’ve all done it, but how many people do it purposely to seamlessly move into a reverse wind? I’ma say “few”. Throwing a breakaway with a reverse wind takes some practice. You tend to put it on its side, and there’s a weird, sketchy feeling that you have to overcome. Once you do though, going right into a free-hand chopsticks man-bro stall (there has to be a better name for that) feels pretty rewarding.
Another option is the “bowling” throw. Drew and I have both come up with variations of this trick independently. Hold the yo-yo “regular”, but let it roll off your hand in reverse as you do a kind of “softball throw”. You can’t do this quickly, which is great because it gives your throwhand time to get into position and land in a neat Bird-In-Hand which would be impossible using a normal throw. There’s a lot of potential in this sort of throw, and I love tricks which I can do with my hand stylishly enclosed within my pocket.
Trick #3 is one of my babies (albeit, a kind of lame baby that no one loves or appreciates besides his father). Anti-loops are a great way to get into a reverse spin. Yeah, an Anti-loop is basically a Gravity Pull done “outward”, but try doing 5 of them in a row. Once you’ve switched the direction, you really have to switch the side you’re stalling out on. On a normal forward pass, your freehand would have to be in front. The Anti-loop lets you switch it.
Last trick is one of my favorite fixed axle repeaters. Watch the pogs on the yo-yo. Notice that they’re always on the same side. Between the two stalls, there’s an inside-loop regen. If the yo-yo flips over, the stall (just like the one in trick #1) is a no-go. If, however, you can purposely KEEP it from flipping on the loop, the spin direction will be reversed and the stall will work. This is a great test of your loop control. We’re all used to Moons and Planet Hops where the yo-yo isn’t “supposed” to flip, but keeping it from flipping on an inside loop feels strange… in a good way.
And that’s kind of the whole thing. We’re collectively deciding right now where fixed axle yo-yoing can go. By limiting our options with respect to hardware and spin time, we’ve got no choice but to open our minds to other aspects and dimensions within our play. If there’s something we’re taking for granted (how the yo-yo is wound, thrown, caught, stopped, started, etc), then it’s worth examining. If we want to transcend the notion that fixed axle yo-yo’s are primarily a good training ground to practice the same tech tricks we’d do on a modern metal yo-yo, then it’s on us to develop the trick vocabulary that suits the medium. That’s what’s going to take fixed axle yo-yoing from being a useful and fashionable novelty to being something we can really consider a “style”.