Archives for May 14, 2014

Whether you know him as Miguel, Miggy, “Flame”, or the guy who’s name is on the YoyoFactory Genesis (as it’s his signature yoyo), Miguel Correa is a 4x US National Champion and undeniably one of the best 5A players of all time. Starting his yoyo career in the late 90’s, Miguel went on to really pioneer 5A and do a lot of great things for yoyoing in general. Miguel has always been someone I wanted to interview, so upon having the chance I was definitely excited to learn more about him!

Miguel, you’ve been yoyoing for a pretty long time and unbeknownst to some were actually an important figure in the “midschool” era of yoyoing. How did you start yoyoing in the first place?

I have an earlier memory of playing with a yo-yo, but I really started playing in late 1999. I bought a knock off X-Brain at the mall…it shattered within half an hour of play. I took it back and the guy was cool enough to accept it as a return and swapped it out with a real X-Brain. I was young, but even then I knew he probably wasn’t supposed to do that. He hooked it up.

Aha, that’s awesome! You eventually became a pretty prominent 1A player back then, but how did you first start learning tricks and get integrated into the internet yoyo scene of the time?

Early on I bought some trick books and learned through illustrations. Occasionally, I also read text descriptions online. After I built some skill, most of the learning came from one on one interaction and online videos. Then, after convincing my dad to buy a camcorder, I was able to share online the tricks my friends and I were coming up. We only had a few forums and sites dedicated to yoyoing at the time so it was relatively easy, if you had the tricks, to get people to notice you.

Some of your old 1A tricks from back then are pretty cool. How would you describe the process with making up those kinds of tricks back then?

Back then it wasn’t difficult to make up something new. The difficult part was making it look good. For me, I always tried to have some fluidity to a trick. My process was generally to come up with an original move, and then find the natural rhythm it wanted. Basically, the tricks found me.

I think there are a lot of tricks from back then that might not look impressive but are actually pretty hard as far as the technical aspect goes. You went by the name “Flame” then, right? I remember seeing you in one of Spencer Berry’s Phalanx videos from way back then.

Ha! Yeah, Flame was my angsty web handle back then. Wasn’t cool then, still ain’t lol. I was a part of Spencer Berry’s Project Phalanx. Basically, it was an assembled crew of people Spencer deemed worthy. He had a site and we would send him our tricks and he would compile clip videos out of them. There were at least two Phalanx videos I can distinctly remember, “Primus” and “Secundus”. To be perfectly honest, when I was asked to be a part of the project, I wasn’t sure if I was actually good enough. I asked Spencer one time why he chose me to be part of the small collective and he said, simply, “I saw potential”. So, big shout out to Spencer for that motivation.

So, I have a debate with myself on a trick I did in the first Phalanx video, “Primus”. During my section I do a trapeze, to a trapeze and his brother, but right before it lands, I whip it. I never gave this a name, but everyone knows it as Jade Whip. That’s the earliest video I personally have ever seen of Jade Whip, so I’m claiming it until further proof is unearthed. I never gave it a name so I don’t know who named it.

Wow, that’s awesome! What made you want to gravitate more towards 5A?

I had moderate contest success in 1A early on, but my local peers like Jesse Garcia and Eric Hesterman were killing it. They were far and away better than I, so eventually as other styles emerged I decided I wanted to try out 5A. There weren’t a lot of tricks for it at the time so I thought it would be a good opportunity to try and help build something from the ground up. I made that decision around 2002.

It was definitely a good one! How was the 5A climate then as opposed to 1A?

After 1A overtook 2A as king, I feel it really opened up a spot for a new number 2 style. 5A was really really special back then. There weren’t many players at all and there wasn’t a real trick ladder set forth in the style. The style itself was intriguing enough that you would see pockets emerge of different styles of 5A, in particular in the U.S. I had my style of 5A, there was a distinct mid west style of 5A, and a west coast style too. It was the closest thing in the yoyo world to me like there was regional stylistic differences of the same music sub-genre. Punk sounds different in New York than it does in Gainesville, FL. Something about that spoke to me and excited me. This was all truly something NEW and it was all being developed in wildly different ways. Take that music analogy along with Steve Brown’s extroverted personality, it’s easy to see why people like Tyler and myself gravitated toward 5A and really tried to make it our own.

That totally makes sense, I definitely see why you did too. Were you just throwing the standard Freehand 1s then? I remember seeing you throw a Tigershark in one of those Phalanx videos.

I was on Team Spintastics early on, then I was on Team Buzz On after that. Somewhere in between I was throwing a lot of Freehand 1’s. I had a nice collection at one point too. For the Spintastics stuff, we could modify Tigersharks, mostly adding weight and later on changing the guts. I figured a way to get Renegade guts to fit and later Spintastics had spacers made to accommodate the Renegade bearing, then they added domed caps and called it the Eclipse.

That’s what the Eclipse was? Wow! I’ve always been super curious about the old Spintastics stuff. I’ve thrown the Great White Shark from back then, it was really light but it was possible to add weight rings to that too, right?

We used 8 gauge wire to add weight initially, under the cap, then for the Eclipse they added a custom machined brass weight ring.

That’s pretty legit! What initially led you to competing to 5A, and what was your first contest?

Well, for awhile 5A was part of the open division. So, I lost to 2A players a lot. My first contest was just a local mall contest nearby, I wasn’t even good enough to freestyle. In 2003, U.S Nationals held an exhibition contest for 3A, 4A, and 5A, I won the 5A exhibition. The next year, 2004, the winners were retroactively awarded National Champion trophies at the awards dinner. We were cited as performers showing excellence in our styles and contributing factors to the decision to open U.S Nationals to 5 total championship divisions.

Wow, thats crazy! You later went on to win several 1st place National titles since then. Whats your favorite contest you’ve competed in?

A great contest is never about what happens on stage. I don’t know if I can pick a favorite, the best stories are ones I can’t tell you here. There are many.

Keeping up the theme of 5A, what’s some advice you could throw out there for any aspiring 5A champion out there?

Know your basic and intermediate tricks well. Those are the foundations of 5A and knowing those elements and incorporating them into your more difficult tricks will make your tricks look better and score better.